Le plus grand
I don’t read mysteries or detective fiction, but it’s not that I don’t try. Every couple of years I see a review of someone who writes this sort of stuff, and decide to give his work a try, and usually—almost always— I quit halfway through whatever it is, with a meh taste in my mouth. Only Simenon really does it for me, and I wish I could say why. His stuff tends to the repetitive, and the style, in English translation as well as French, isn’t much, understated in a nice way but that’s it. And The man who watched the trains pass, supposedly his best, struck me as arch and pretentious. But so much of the rest of his work is so good. Anyway, for those unfamiliar with Belgium’s finest, here’s a good introduction, from John Banville, writing in the LA Weekly.